• Links:
  • 'Homage to the Departed'
  • ‘Diagnosing Loss’
  • Art, Ethics, Remains
  • 'Beyond the Body'
  • Publication
  • Memento Mori
  • More
    • Links:
    • 'Homage to the Departed'
    • ‘Diagnosing Loss’
    • Art, Ethics, Remains
    • 'Beyond the Body'
    • Publication
    • Memento Mori
  • Links:
  • 'Homage to the Departed'
  • ‘Diagnosing Loss’
  • Art, Ethics, Remains
  • 'Beyond the Body'
  • Publication
  • Memento Mori

Art & Medicine Creative Director AnnaSuwalowska

Art & Medicine Creative Director AnnaSuwalowska Art & Medicine Creative Director AnnaSuwalowska Art & Medicine Creative Director AnnaSuwalowska

About BEYOND PHYSICAL FORM


Contact:

anasuwalowska@gmail.com






BEYOND PHYSICAL FORM,  is a platform at the intersection of art, science, and ethics, started  by Anna  Suwalowska (artist) and Dr Halina Suwalowska  (University of  Oxford) in 2019. Since its inception BEYOND PHYSICAL FORM  has sparked  interdisciplinary collaborations, international exhibitions, and public  engagement   projects. Its first major exhibition, Beyond the Body:  A  Portrait of Autopsy,  examined cultural taboos surrounding post-mortem  practices across societies. More recently, Homage to the Departed  (2023), a  collaboration with artists and the McGregor Museum in  Kimberley, South  Africa, explored the ethical challenges of the presence of human  remains  in museum collections. By engaging with medical institutions,  cultural  organisations, and underrepresented communities, the platform  seeks to  open conversations  on what we owe to the dead, how they  should be treated, and the deep  cultural sensitivities that shape our  understanding of the relationships between mind, body, and spirit. 




Copyright © 2026  - Anna Suwalowska  All Rights Reserved.

Collaborators:

Oxford University, UK 

Pitt Rivers Museum, Oxford, UK

University of Antwerp, Belgium 

Johns Hopkins Berman Institute of Bioethics, Baltimore, US

Environments of Health, University of Exeter, UK  

Hiroshima University, Japan

Nagasaki University Library, Japan

Institute of Tropical Medicine, Antwerp, Belgium 

Pathology Learning Centre, University of Cape Town, South Africa  

University of Cape Town, South Africa 

McGregor Museum, Kimberley, South Africa 

KwaZulu-Natal Museum, Pietermaritzburg, South Africa

University of KwaZulu-Natal, South Africa

National University of Singapore, Singapore 

World Health Organisation 


PROJECTS:

Anna Suwalowska is a London-based Polish artist. She holds an M.A. from the Royal College of Art in London (2013) and a B.A. from Camberwell College of Arts (2011), alongside a Diploma in Dental Technology.

 

Anna has contributed to academic and artistic discourse through collaborations with institutions such as the University of Oxford, the University of Exeter, and the University of Cape Town. She is the founder of BEYOND PHYSICAL FORM, a platform at the intersection of art, science, and ethics that examines the important questions surrounding death, the treatment of the dead, and the beliefs that shape our understanding of the mind, body, and spirit. Through creative and academic collaborations, most recently in partnership with Death Care project, University of Antwerp she engages the public in these critical conversations.

 

Her solo exhibition Beyond the Body: A Portrait of Autopsy (2020–2026) was presented in academic and medical institutions across the UK, Belgium, Singapore, and South Africa, Japan. 


The project received recognition from the University of Oxford and was selected by the Wellcome Centre for Cultures and Environments of Health, in partnership with the WHO, to be shown at the UN City in Copenhagen to highlight the role of cultural narratives in shaping health outcomes.

 

Anna has been invited to lecture, run seminars, and lead workshops in both community and institutional settings. Most recently, she served as Artistic Director of Homage to the Departed (2023–2024), a curatorial and artistic project at the McGregor Museum in Kimberley, South Africa, which explored the ethics of displaying human remains. This culminated in exhibitions at the Johns Hopkins Berman Institute of Bioethics, Baltimore, and the Duggan-Cronin Gallery, Kimberley (2024).

 

Her work has been showcased in numerous international exhibitions and residencies, including in Taiwan, Norway, and Hong Kong. She is also the co-curator of Dreamscapes, a group exhibition celebrating contemporary surrealism.

2026, Art, Ethics, Mortality, Hiroshima University, Japan

2026, The Anathomy Between, Nagasaki University, Japan

2025, Pitt Rivers Museum, BEYOND PHYSICAL, FORM ART, ETHICS, AND HUMAN REMAINS IN MUSEUMS, CONFERENCE, Oxford, UK

2025, 'ART, SCIENCE AND THE DECEASED BODY: TOWARDS A DUTY OF CARE', KwaZulu-Natal Museum, South Africa

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2024, Homage to the Departed, Johns Hopkins Berman Institute of Bioethics, Baltimore, US

2024, Workshop, McGregor Museum, Kimberley, South Africa

2024, The Nobodies, University of Antwerp, Belgium

2024, Homage to the departed - Duggan-Cronin Gallery, McGregor Museum, Art Exhibition, South Africa

2023, Forum, University of Exeter, UK

2023, Homage to the Departed, Kimberley, South Africa

2023, Press Day, Kimberley Art Collective, McGregor Museum, South Africa

2022, Pathology Learning Centre, University of Cape Town, South Africa

2022, Diagnosing Loss, the Michaelis Upper Gallery, Cape Town, South Africa

2023, Art&Archeology, with prof David Morris, Kimberley Art Collective, WILDEBEEST KUIL ROCK ART CENTRE, South Africa

2022, Kimberley Mandala, Duggan-Cronin Gallery, McGregor Museum, Kimberley, South Africa

2022, Beyond the Body: a portrait of autopsy, National University of Singapore, Singapore

2022, Bodies in Motion, Community workshop, Painting Psychological Landscape in Kimberley, South African

2020-2021, Beyond the Body: a portrait of autopsy, Institute of Tropical Medicine, Antwerp, Belgium

2019, Beyond the Body. A portrait of Autopsy, Oxford, UK

2013, Surreal Tooth, Royal College of Art, Kensington Gore, London, UK


Copyright © 2026 - Anna Suwalowska  All Rights Reserved.